Wednesday, 29 June 2016

essay start

the importance of the creative industry
rebellion
power
money etc
keneth clark - art exhibition to london during the war - promoting art – Churchill
Fight for freedom of Mind - opposite to degenerate - individuality
same thing happening now 

2500 words



The Sad, Strange Story of “Degenerate Art” VS The Fight for Freedom of Mind


A war on the modern imagination
Degenerate Art

As you may very well know, the fevered brain of an art-obsessed Adolf Hitler aimed to show not only that Jewish and Bolshevik art was a disgrace; he also argued that the degeneracy of those artists threatened the health of the rest of the population. That the “master race” whom Hitler believed should rule the world, ultimately with him as the leader should abolish all things that were not up to his standard of perfection.

To be able to talk about the peril Hitler caused I think you've got to first start with what caused him to do this. All the way back to the turn of the century. Hitler was an artist himself who was sent to war. He was of no particular importance during the war, just another soldier fighting a never-ending battle but nevertheless he was a man with a mission after that. I think war can ruin anyone, especially trench warfare, surrounded by bodies for a year will do that to a person. But it effects someone so much more when they have a 'soft soul' and are much more sensitive than others (artists, musicians etc...) and that’s what it did to Hitler. He said 'hatred ruined me' and I think that simple sentence perfectly describes exactly what the war did to him. That and his imprisonment, which I will come to later. After the war Hitler resolved to go into politics.

In the 1920's the Nazis were a small group, which held no fear towards the expressionists, few people cared about Hitler and his fanatic ideas. It wasn't until Germanys fragile democracy was in turmoil that the people started to take note of what Hitler was saying. Berlin flourished at the time and it was a center for art and all things 'degenerate'. In 1924 Hitler was released from his imprisonment which he then blamed on Jews, communists, degenerates, he labeled expressionists 'artists like the mentally ill'. Hitler’s break was the great depression. He thought that there was a 'sickness in society' all caused by degenerates, that they were affecting the pure race and even the culture. 

Gradually as Hitler rose to power, where he attempted to 'cleanse' the nation of degenerates (artists, communists, Jews, Bolsheviks) to wipe them all out to become the purest race. Hitler made it so it was a science in the decision of who was a degenerate; there were symptoms and observations to be made. Basically what it came down to is if you didn't look a certain way you were a degenerate. 

In 1933 Hitler was appointed chancellor as the fragile German democracy was near death. Hitler was in power less than 5 months when the Berlin book burnings came about and the war on modern imagination really started. Even artists who stood by the Nazis were turned against. All forms of modern art were slandered. Hitler resolved to create a new world with no place for the weak or sensitive minds. Many artists emigrated to save themselves, although some stayed. One man said 'I painted landscapes as that was tantamount to immigration'. Paintings were confiscated and people then painted in water colour because if they painted in oils you could smell it and they were afraid of the outcome had anyone known what they 'were'/were doing.

The degenerate art show was created to purposely slander modern art. It was described as a horror show. It was claustrophobic, the lighting was terrible, there was graffiti ridiculing the artwork. What was not long ago seen as amazing new innovative art, painted by amazing, famous artists was now mocked. Artists were now criminals or 'Jews'.

The exhibition presented 650 different works of art from a variety of artists such as, Georg Grosz, Ernst Ludwig Kirchner, Emil Nolde and many others.
Ernst was a German expressionist painter and a printmaker. He was also a key founder of a group called The Bridge, which led to the foundation of Expressionism in 20th century art! Sadly, after his endeavor in the First World War he suffered a breakdown and was discharged. Ernst's life spiraled from there as when Hitler came to power his work was branded 'degenerate' and over 600 of his works were sold or destroyed. In 1938 Ernst committed suicide.
Otto Dix was yet another classed as a degenerate artist that's lifestyle was taken when the Nazis came to power in Germany. Firstly Dix was sacked from his post as an art teacher, later his paintings like; The Trench and War Cripples were exhibited in the exhibition of degenerate art and later burned. Dix like a lot of other practicing artists was forced into promising into only painting inoffensive landscapes. Dix still painted the occasional painting in his own style that the Nazi's criticized. In 1939 he was arrested on a charge of being involved in a plot against Hitler but was later released. 
Max Beckmann luck changed with the rise of the Nazis. There dislike of modern art quickly deteriorated his life. In 1933 the Nazi government called Beckmann a "cultural Bolshevik" and he was then dismissed from his teaching position (much like Otto Dix). His work was confiscated and also put on display in the Degenerate Art exhibition, this led Beckmann to relocating himself and his second wife to the Netherlands.

The day before the degenerate art show started Hitler delivered a speech declaring a "merciless war" of destruction against the last remaining elements of cultural disintegration. Hitler said "works of art which cannot be understood in themselves but need some pretentious instruction book to justify their existence will never again find their way to the German people."
There were so many artists affected by the Nazi's ruling and many either fled the country or killed themselves. One million people attended the show in its first six weeks. The art show toured for four years and caused the death of art in Germany.

The result of the degenerate art show is a sad history that will leave you shaking your head at the past, wondering how that could of happened. But also make you think, could this happen again? Here and now.









Kenneth Clark – A civilised man
Fight for Freedom of Mind

Clark was and still is widely seen as one of the most influential figures in British art of the twentieth century. He was a man of many talents, a patron, a collector, art historian, public servant and broadcaster. Many will know who Clark is for being the maker of pioneering a TV series that was broadcasted internationally, the most famous of them being Civilisation (1969).

During the 1930s and 40s he was a leading supporter and promoter of contemporary British arts and artists. Kenneth Clark was hardly a man of the people. Being born into a filthy rich family, living in a castle and mostly putting himself across as far too grand, aloof and chilly towards others, it didn’t create him as the perfect candidate for a supporter of the arts; nevertheless, here he was, using his wealth and influences to become an early advocate of supporting the arts. He passionately believed galleries should be “to make art as accessible and understandable to as many people as possible”. Clark would buy works of art from those he admired and he would also provide financial support to them allowing artists to work freely, offered commissions and also worked towards helping artist’s work to be entered into prestigious collections. He believed that a crisis in patronage had led artists to become too detached from the rest of society, so to rectify this he promoted a representational art that was both modern and rooted in tradition. The best of both worlds. Clark was an activist of his time; he was vigorous in campaigning to bring social change towards artists.

This was all happening during the war, the exact time Hitler was destroying a nation. The reason I chose to speak of Clark is because he was quite literally the complete opposite of Hitler. Where Hitler would slander art and class it as degenerate turning a nation against specific arts, Clark vocalized the importance of art and the individuality. What amazes me is how this was happening in the same time period of each other in countries not that far apart. That a man who most people would of claimed to be an arrogant snob would actually be a saviour of art.


The importance of the creative industry

The UK currently is recognised globally for its creative industry, from advertising to architecture to graphic design to photography. These are the roles that make up the creative industry and consequently play the largest role in contributing to the success in the economy.
The creative industries account for 1.71 million jobs in 2013, that’s 5.6% of all jobs in the UK. We also generated £76.9 billion in the output of the UK.
The creative industries are an engine of growth for the UK economy; it is vital to pay attention to a thriving sector such as this.

The past is the past for a reason, I do believe we should learn from the past to not repeat the same mistakes. Although we acknowledge the importance of the industry now it still isn't as highly regarded as it should be. Even with mistakes in the past being so drastic and life altering we continue to not learn from it. 

Will the same thing happen now?


fmp review

For my final exhibition I decided on an enclosed L shape position where you could walk through. I made the whole thing a dark room by blacking it out with black curtains so when the slide show was playing with poetry on it would be easily visible. 
Upon entry I wanted to make it a little difficult to walk through so I decided to hang my work and a couple balloons. The difficulty I thought because the illustrations were so simple and a drawing on a sheet of paper isn't intrusive I wanted the complete opposite by way of hanging. The balloons added to the focus of the images and made it more visible as you walked through them. 
After walking through the hangings I placed bean bags down so the enclosed space became an area to sit and relax and read and really take in its surroundings. I placed poetry and art books in the corner which you could flick through at your leisure as the projection was playing. On the projection I specifically chose m favourite poems I had been working with when illustrating and played them on a loop with soft music in the background. I often chose Oh Wonder to play as there music best fitted the atmosphere. 
Banking left and leaving the enclosure left you with two canvases. Each with illustrations I'd previously drawn and either had the most reaction to or my own favourite. I placed them on either wall for symmetry. The canvases just tied the enclosed space together as you left. 
I feel like I did kind of make up my space as I went a long, which is fine because I'm happy with the outcome but I think with a little more thought I could of made it better. For example in the black curtains over the top I would of liked stringed fairy lights. I would of preferred more bean bags to make it that bit more comfortable. I would of printed the first images you saw on something different as I don't think they were strong enough for something that is the first thing you see. 

work

Here I've uploaded all my experimentation work throughout the project. My experimentation work has included everything from simple line drawings, to painting, sewing and even using blind contour drawing where I blindfolded a friend and directed them to draw what I wanted.
Majority of my work I simply used paint and pens so as long as nothing was swallowed there was no extreme healthy and safety needed.